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"Magnetic Sounds“ naslov je izložbe Željka Kipkea koja je postavljena u prostoru MSU Black Box sve do 17. siječnja iduće godine. Naslov je dobila prema najnovijem Kipkeovom filmu "Magnetic Sounds“ koji je i sam nadahnut stotom obljetnicom literarnog djela "Les champs magnetiques", (Magnetska polja) iz 1920. u suautorstvu nadrealista André Bretona i Philippea Soupaulta.

Posrijedi je kapitalni tekst za razumijevanje nadrealističkih postupaka, a u kojemu su autori predložili istraživanje automatskog pisma, oblik jezika oslobođen kostriktivnog utjecaja razuma. Kipke, kao povećeni istraživač nadrealističkih strategija, dopustio je da upravo slučaj bude montažer filmskih prizora koji će u posjetitelja stvoriti niz fantastičnih asocijacija jer je riječ, kako Kipke tvrdi, o filmu koji stvara vezu "između svih mogućih i nemogućih stvari na ovome svijetu“.

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image
Željko Kipke Bauw Bauw
Privatni album
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Uz najnoviji Kipkeov film, publici će biti predstavljeni i njegovi raniji filmovi ("Unyielding Look into the Future“, 2013.; "Bulevar devet života u 12 figura i P.S.“, 2012.), odnosno, slikarske instalacije koje tvore neuobičajene veze s predstavljenim filmovima.

"Bolji poznavatelji Kipkeovog opusa mogli bi se pitati otkuda dolazi ovaj stanoviti sadržajni salto u pulp kulturu? Naime, Kipkea određuje sakupljanje i istraživanju precioznih i rijetkih predmeta poput starih filmskih časopisa, derivé stvarnim i izmišljenim bulevarima, njegov univerzum nastanjuju 'staze koje se račvaju, smrt, Borges, Kiš, Sebald ili Cortázar'.

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image
Kipke je dopustio da upravo slučaj bude montažer filmskih prizora
Paun Paunović/Cropix
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Međutim, zavirimo li u manje istraživanu povijest nadrealizma, otkrivamo da je 20-ih godina prošlog stoljeća nadrealistički pokret crpio nadahnuća iz tamne strane takozvane "niske kulture“. Naime, nadrealistički Panteon 20-ih godina nastanjivao je duhoviti serijski ubojica poznatiji kao Modrobradi iz Gambaisa kojega je porota jednoglasno osudila da bi, nešto kasnije, tražila njegovo pomilovanje zbog istančanog galgenhumora.

Tu je bio i Fantomas, elegantni fikcionalni lik specijaliziran za osobito nasilna ubojstva, spektakularne pljačke ili katastrofe monumentalnih dimenzija kojega su nadrealisti proglasili izravnim nasljednikom Lautréamonta, rođakom Rimbauda ili Apollineaireovim bratom" zapisala je u tekstu "Jezivije od čovjeka kojeg je presjekao prozor“ povjesničarka umjetnosti i viša kustosica Muzeja suvremene umjetnosti Leila Topić.

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"Magnetic Sounds“ naslov je izložbe Željka Kipkea koja je postavljena u prostoru MSU Black Box sve do 17. siječnja iduće godine. Naslov je dobila prema najnovijem Kipkeovom filmu "Magnetic Sounds“ koji je i sam nadahnut stotom obljetnicom literarnog djela "Les champs magnetiques", (Magnetska polja) iz 1920. u suautorstvu nadrealista André Bretona i Philippea Soupaulta.

Posrijedi je kapitalni tekst za razumijevanje nadrealističkih postupaka, a u kojemu su autori predložili istraživanje automatskog pisma, oblik jezika oslobođen kostriktivnog utjecaja razuma. Kipke, kao povećeni istraživač nadrealističkih strategija, dopustio je da upravo slučaj bude montažer filmskih prizora koji će u posjetitelja stvoriti niz fantastičnih asocijacija jer je riječ, kako Kipke tvrdi, o filmu koji stvara vezu "između svih mogućih i nemogućih stvari na ovome svijetu“.

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image
Željko Kipke Bauw Bauw
Privatni album
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Uz najnoviji Kipkeov film, publici će biti predstavljeni i njegovi raniji filmovi ("Unyielding Look into the Future“, 2013.; "Bulevar devet života u 12 figura i P.S.“, 2012.), odnosno, slikarske instalacije koje tvore neuobičajene veze s predstavljenim filmovima.

"Bolji poznavatelji Kipkeovog opusa mogli bi se pitati otkuda dolazi ovaj stanoviti sadržajni salto u pulp kulturu? Naime, Kipkea određuje sakupljanje i istraživanju precioznih i rijetkih predmeta poput starih filmskih časopisa, derivé stvarnim i izmišljenim bulevarima, njegov univerzum nastanjuju 'staze koje se račvaju, smrt, Borges, Kiš, Sebald ili Cortázar'.

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image
Kipke je dopustio da upravo slučaj bude montažer filmskih prizora
Paun Paunović/Cropix
---

Međutim, zavirimo li u manje istraživanu povijest nadrealizma, otkrivamo da je 20-ih godina prošlog stoljeća nadrealistički pokret crpio nadahnuća iz tamne strane takozvane "niske kulture“. Naime, nadrealistički Panteon 20-ih godina nastanjivao je duhoviti serijski ubojica poznatiji kao Modrobradi iz Gambaisa kojega je porota jednoglasno osudila da bi, nešto kasnije, tražila njegovo pomilovanje zbog istančanog galgenhumora.

Tu je bio i Fantomas, elegantni fikcionalni lik specijaliziran za osobito nasilna ubojstva, spektakularne pljačke ili katastrofe monumentalnih dimenzija kojega su nadrealisti proglasili izravnim nasljednikom Lautréamonta, rođakom Rimbauda ili Apollineaireovim bratom" zapisala je u tekstu "Jezivije od čovjeka kojeg je presjekao prozor“ povjesničarka umjetnosti i viša kustosica Muzeja suvremene umjetnosti Leila Topić.

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Paun Paunović/Cropix Privatni album Paun Paunović/Cropix Privatni album Privatni album Privatni album Privatni album Privatni album
Paun Paunović/Cropix
Željko Kipke, istraživač nadrealističkih strategija
Privatni album
Željko Kipke Intermezzo 2013.
Paun Paunović/Cropix
Kipke je dopustio da upravo slučaj bude montažer filmskih prizora
Privatni album
Željko Kipke Bauw Bauw
Privatni album
Željko Kipke Ruke podzemlja
Privatni album
Željko Kipke Splumf
Privatni album
Željko Kipke ULITF
Privatni album
Željko Kipke wienerkinos
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StoryEditorOCM
Film & TVMagnetic Sounds

Top lista nadrealista: umjetnik Željko Kipke u Muzeju suvremene umjetnosti prikazuje film o vezama nadrealističkoga pokreta i ‘niske kulture‘

Piše Renato Kragić
6. prosinca 2020. - 08:15

"Magnetic Sounds“ naslov je izložbe Željka Kipkea koja je postavljena u prostoru MSU Black Box sve do 17. siječnja iduće godine. Naslov je dobila prema najnovijem Kipkeovom filmu "Magnetic Sounds“ koji je i sam nadahnut stotom obljetnicom literarnog djela "Les champs magnetiques", (Magnetska polja) iz 1920. u suautorstvu nadrealista André Bretona i Philippea Soupaulta.

Posrijedi je kapitalni tekst za razumijevanje nadrealističkih postupaka, a u kojemu su autori predložili istraživanje automatskog pisma, oblik jezika oslobođen kostriktivnog utjecaja razuma. Kipke, kao povećeni istraživač nadrealističkih strategija, dopustio je da upravo slučaj bude montažer filmskih prizora koji će u posjetitelja stvoriti niz fantastičnih asocijacija jer je riječ, kako Kipke tvrdi, o filmu koji s...

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16. svibanj 2024 08:58