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[title] => ‘Snajka: Dnevnik očekivanja‘: Dokumentarac o braku Hrvatice i Roma apelira na toleranciju
[alias] => snajka-dnevnik-ocekivanja-dokumentarac-o-braku-hrvatice-i-roma-ili-kako-jedna-plavusa-moze-imati-crno-dijete
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Snajka je balkanski izraz za snahu. Obično se odnosi na ženu koja se “udaje u muževu kuću”. Od snajke se očekuje da se prilagodi običajima i pravilima obitelji u koju je došla... Definicijom “snajke” sociologinja i istraživačica migracija i kulturnih identiteta Tea Vidović Dalipi otvara svoj vrlo solidni dokumentarni prvijenac i sugerira o čemu se tu radi. Ona je titularna snajka i ovo je njezina priča.
Opservacijski dokumentarac “Snajka: Dnevnik očekivanja” ulazi u Tein život u rasponu od više godina, odnosno multikulturalni brak jedne Hrvatice iz Zagreba i kosovskog Roma – Mirsada Dalipija . Njihovo vjenčanje prva je scena filma, nastalog u koprodukciji Hrvatske, Italije i Kosova, koji će zabilježiti intimne životne i bračne momente.
---
FILM: Snajka: Dnevnik očekivanja; dokumentarac; Hrvatska/Kosovo/Italija, 2023. REŽIJA: Tea Vidović Dalipi DISTRIBUCIJA: Restart OCJENA: *** ½
---
Vjenčali su se, doznajemo, šest mjeseci nakon upoznavanja na kazališnoj radionici. Tea i Mirsad izgledaju jako sretno ispred matičara dok izgovaraju sudbonosno “da”.
Pljesak za mladence i sve što ide uz to. Međutim, Tea otkriva da njegovi nisu mogli doći na vjenčanje zbog vize, a njezini su još u šoku jer se udaje za nezaposlenog Roma s Kosova. “Mama dva tjedna nije pričala sa mnom, Mirsada nije ni zagrlila”, otkriva Tea. Jasno je kako Tea i Mirsad pripadaju različitim kulturama/tradicijama/sredinama iz kojih su potekli, što je možda i najočitije u dvije scene svadbi na koje odlaze – hrvatske i kosovske.
“U tradiciji ne možeš odabrati samo ono što ti se sviđa, ili je sve ili ništa”, shvaća Tea. Dakle, Tea i Mirsad trebat će se svojski potruditi da se njihov brak ne raspadne. Pritisci su golemi, unutarnji (obitelj) i vanjski (društvo), kulturalni i ekonomski. Mirsadovi diraju u Teinu privatnost i traže da bude nešto što nije (“Nisi se oženio za Ciganku”), naročito njegova majka koja prigovara kako ne kuha, ne pije, ne oblači haljine...
---
VIDEO
---
“Ja nikad neću biti snajka kakvu ona hoće”, kaže Tea Mirsadu, koji je, rekosmo, nezaposlen, odnosno povremeno zarađuje svirajući bubnjeve u bendu Ede Maajke , što njezine roditelje čini još skeptičnijima kad im kći ponovno zatrudni (“On ne nalazi pravi posao, a beba na putu”).
Ni Teina primanja nisu stalna, zbog čega će se u jednom trenutku useliti k njezinim roditeljima: doznajemo da je, trudna, radila četiri mjeseca na granici s izbjeglicama, preforsirala se i, nažalost, izgubila prvo dijete. Također, Mirsadu je puna kapa da mu dobacuju “Cigo”.
To će na svojoj koži osjetiti i Tea kad rodi kćerkicu Fridu i ljudi joj ulijeću s pitanjima: “Kako ti plava možeš imati crnu djevojčicu?” Zato njih dvoje i posjećuju skup u centru Zagreba na kojem jedan tamnoputi doseljenik apelira na toleranciju prema ljudima druge boje kože. “Treba reagirat”, smatra Tea i “Snajka: Dnevnik očekivanja” njezina je hvalevrijedna reakcija protiv rasizma i netolerancije, snimljena s dosta iskrenosti i autentičnosti.
Dokumentarac univerzalne vrijednosti poziva na prihvaćanje, razumijevanje i združivanje različitih kultura i tradicija, prikazujući miješani brak (supružnici su mogli biti i druge rase, podrijetla itd.) koji bezuvjetnom ljubavlju i bliskošću supružnika premošćuje poteškoće uvjetovane multi-kulti razlikama. Vidović Dalipi potvrdila se kao dobra sociologinja i istraživačica kulturnih identiteta, ali i kao obećavajuća dokumentaristica.
---
Splitska premijera u ‘Kinoteci‘
"Snajka: Dnevnik očekivanja" igra po nezavisnim hrvatskim kinima, u Splitu je to "Kinoteka", gdje ima premijeru uz gostovanje redateljice.
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title='Snajka: Dnevnik očekivanja': Dokumentarac o braku Hrvatice i Roma ili kako jedna plavuša može imati crno dijete
page_title='Snajka: Dnevnik očekivanja': Dokumentarac o braku Hrvatice i Roma ili kako jedna plavuša može imati crno dijete
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Snajka je balkanski izraz za snahu. Obično se odnosi na ženu koja se “udaje u muževu kuću”. Od snajke se očekuje da se prilagodi običajima i pravilima obitelji u koju je došla... Definicijom “snajke” sociologinja i istraživačica migracija i kulturnih identiteta Tea Vidović Dalipi otvara svoj vrlo solidni dokumentarni prvijenac i sugerira o čemu se tu radi. Ona je titularna snajka i ovo je njezina priča.
Opservacijski dokumentarac “Snajka: Dnevnik očekivanja” ulazi u Tein život u rasponu od više godina, odnosno multikulturalni brak jedne Hrvatice iz Zagreba i kosovskog Roma – Mirsada Dalipija . Njihovo vjenčanje prva je scena filma, nastalog u koprodukciji Hrvatske, Italije i Kosova, koji će zabilježiti intimne životne i bračne momente.
---
FILM: Snajka: Dnevnik očekivanja; dokumentarac; Hrvatska/Kosovo/Italija, 2023. REŽIJA: Tea Vidović Dalipi DISTRIBUCIJA: Restart OCJENA: *** ½
---
Vjenčali su se, doznajemo, šest mjeseci nakon upoznavanja na kazališnoj radionici. Tea i Mirsad izgledaju jako sretno ispred matičara dok izgovaraju sudbonosno “da”.
Pljesak za mladence i sve što ide uz to. Međutim, Tea otkriva da njegovi nisu mogli doći na vjenčanje zbog vize, a njezini su još u šoku jer se udaje za nezaposlenog Roma s Kosova. “Mama dva tjedna nije pričala sa mnom, Mirsada nije ni zagrlila”, otkriva Tea. Jasno je kako Tea i Mirsad pripadaju različitim kulturama/tradicijama/sredinama iz kojih su potekli, što je možda i najočitije u dvije scene svadbi na koje odlaze – hrvatske i kosovske.
“U tradiciji ne možeš odabrati samo ono što ti se sviđa, ili je sve ili ništa”, shvaća Tea. Dakle, Tea i Mirsad trebat će se svojski potruditi da se njihov brak ne raspadne. Pritisci su golemi, unutarnji (obitelj) i vanjski (društvo), kulturalni i ekonomski. Mirsadovi diraju u Teinu privatnost i traže da bude nešto što nije (“Nisi se oženio za Ciganku”), naročito njegova majka koja prigovara kako ne kuha, ne pije, ne oblači haljine...
---
VIDEO
---
“Ja nikad neću biti snajka kakvu ona hoće”, kaže Tea Mirsadu, koji je, rekosmo, nezaposlen, odnosno povremeno zarađuje svirajući bubnjeve u bendu Ede Maajke , što njezine roditelje čini još skeptičnijima kad im kći ponovno zatrudni (“On ne nalazi pravi posao, a beba na putu”).
Ni Teina primanja nisu stalna, zbog čega će se u jednom trenutku useliti k njezinim roditeljima: doznajemo da je, trudna, radila četiri mjeseca na granici s izbjeglicama, preforsirala se i, nažalost, izgubila prvo dijete. Također, Mirsadu je puna kapa da mu dobacuju “Cigo”.
To će na svojoj koži osjetiti i Tea kad rodi kćerkicu Fridu i ljudi joj ulijeću s pitanjima: “Kako ti plava možeš imati crnu djevojčicu?” Zato njih dvoje i posjećuju skup u centru Zagreba na kojem jedan tamnoputi doseljenik apelira na toleranciju prema ljudima druge boje kože. “Treba reagirat”, smatra Tea i “Snajka: Dnevnik očekivanja” njezina je hvalevrijedna reakcija protiv rasizma i netolerancije, snimljena s dosta iskrenosti i autentičnosti.
Dokumentarac univerzalne vrijednosti poziva na prihvaćanje, razumijevanje i združivanje različitih kultura i tradicija, prikazujući miješani brak (supružnici su mogli biti i druge rase, podrijetla itd.) koji bezuvjetnom ljubavlju i bliskošću supružnika premošćuje poteškoće uvjetovane multi-kulti razlikama. Vidović Dalipi potvrdila se kao dobra sociologinja i istraživačica kulturnih identiteta, ali i kao obećavajuća dokumentaristica.
---
Splitska premijera u ‘Kinoteci‘
"Snajka: Dnevnik očekivanja" igra po nezavisnim hrvatskim kinima, u Splitu je to "Kinoteka", gdje ima premijeru uz gostovanje redateljice.
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16. svibanj 2024 11:50
