OSMRTNICE
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Podbuhnuto, zapušteno i beznadno poput skitnice djeluje Russell Crowe u trileru ‘Ubojita sjećanja‘ koji pokušava oživjeti posustali žanr krimića i misterije. Dvadesetak godina nakon planetarnog uspjeha povijesne drame ‘Gladijator‘ koja mu je donijela Oscara, novozelandski glumac prizemljio se u ulozi Roya Freemana, bivšeg detektiva, samotnjaka oboljelog od uznapredovalog Alzheimera.

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Tommy Flanagan kao Freemanov bivši kolega detektiv Jimmy zanatski nekako odolijeva izazovu, ali...

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Početna premisa je potentna, još i više jer se glavni lik kroz obnovljenu istragu starog slučaja ubojstva bori s bolešću i demonima prošlosti. A baš je prikaz junakove bitke s demencijom najtanji dio filma opterećenog čestim promjenama pripovjedne perspektive i smušenim flashbackova koji pokušavaju prikriti slabosti fabule. Za čovjeka kojemu zbog dijagnoze pamćenje postaje luksuz, Freeman se nadaje kao pravi majstor dedukcije.

Teško je povjerovati da bi netko tko na cedulji zapisuje vlastito ime i raspored prostorija u kući nekim čudom mogao proučiti na stotine stranica dosjea o davnom zločinu. Osim ako nije djelovala nadrealna metoda sondiranja mozga kojom se, protivno svakoj logici, operiranom sjećanja vraćaju u fragmentima baš u najpogodnijem mogućem trenutku. Film u hrvatskom prijevodu nazvan ‘Ubojita sjećanja‘, u originalu iz nejasnog razloga dijeli ime s popularnom videoigrom ‘Sleeping dogs‘, a osim Croweove superiorne glume ne nudi ništa što bi zavrijedilo dulje pamćenje.

Crowe možda više nije u zenitu slave, ali glumiti nije zaboravio, niti ga je napustila prirođena moć pojavnosti kojom već desetljećima osvaja publiku. Sve vrijeme on fino balansira između nemoći i snage, izgubljenosti i usredotočenosti, a te bi mijene bile i naglašenije da ga rastrzana narativna nit svako malo ne minira. Ostali akteri uglavnom popunjavaju kvotu, i to lošim izvedbama. Inače pouzdani Marton Csokas u ključnoj epizodnoj ulozi prof. Wiedera nije se pretjerano namučio za odglumiti jednoobraznog promiskuitetnog znanstvenika. Karen Gillan alias Laura Baines nepodnošljivo je nametljiva u ulozi zavodnice s kampusa, a namrgođeni Harry Greenwood upravo iritantan kao wannabe romanopisac, umišljeni genijalac.

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Karen Gillian iritantna je kao femme fatale

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Tommy Flanagan kao Freemanov bivši kolega detektiv Jimmy zanatski nekako odolijeva izazovu, ali način na koji pomaže sudrugu u nevolji potkopava mu moć rasuđivanja.

Triler Adama Coopera trsi se što više nalikovati film noiru, no pokušaj ostaje u sferi neispunjenih očekivanja. Većina noirovskih elemenata je tu, od femme fatale preko buddy-buddy momenta do nepokolebljivosti oštroumnog istražitelja. Nađe se i ponešto stidljivih pokušaja stvaranja suspensea, ali sve je to zaludu u filmu kojem kronično nedostaje koherencije i smislenog djelovanja protagonista.

Umetnuta epizoda koja se tiče autorskih prava na znanstveni rad prof. Wiedera samo je još jedan prilog sveopćem smislenom rasulu. Ako je cilj bio u prenesenom značenju dočarati ubrzano djelovanje Alzheimerove bolesti na filmsku cjelinu, Cooperu se trud bez dvojbe isplatio. U protivnom, dobili smo žanrovski hibrid koji samo Croweov superiorni angažman održava u komadu, no pitanje je je li sve to vrijedno truda.

 

 

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Tommy Flanagan kao Freemanov bivši kolega detektiv Jimmy zanatski nekako odolijeva izazovu, ali...

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Karen Gillian iritantna je kao femme fatale

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Podbuhnuto, zapušteno i beznadno poput skitnice djeluje Russell Crowe u trileru ‘Ubojita sjećanja‘ koji pokušava oživjeti posustali žanr krimića i misterije. Dvadesetak godina nakon planetarnog uspjeha povijesne drame ‘Gladijator‘ koja mu je donijela Oscara, novozelandski glumac prizemljio se u ulozi Roya Freemana, bivšeg detektiva, samotnjaka oboljelog od uznapredovalog Alzheimera.

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Tommy Flanagan kao Freemanov bivši kolega detektiv Jimmy zanatski nekako odolijeva izazovu, ali...

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Početna premisa je potentna, još i više jer se glavni lik kroz obnovljenu istragu starog slučaja ubojstva bori s bolešću i demonima prošlosti. A baš je prikaz junakove bitke s demencijom najtanji dio filma opterećenog čestim promjenama pripovjedne perspektive i smušenim flashbackova koji pokušavaju prikriti slabosti fabule. Za čovjeka kojemu zbog dijagnoze pamćenje postaje luksuz, Freeman se nadaje kao pravi majstor dedukcije.

Teško je povjerovati da bi netko tko na cedulji zapisuje vlastito ime i raspored prostorija u kući nekim čudom mogao proučiti na stotine stranica dosjea o davnom zločinu. Osim ako nije djelovala nadrealna metoda sondiranja mozga kojom se, protivno svakoj logici, operiranom sjećanja vraćaju u fragmentima baš u najpogodnijem mogućem trenutku. Film u hrvatskom prijevodu nazvan ‘Ubojita sjećanja‘, u originalu iz nejasnog razloga dijeli ime s popularnom videoigrom ‘Sleeping dogs‘, a osim Croweove superiorne glume ne nudi ništa što bi zavrijedilo dulje pamćenje.

Crowe možda više nije u zenitu slave, ali glumiti nije zaboravio, niti ga je napustila prirođena moć pojavnosti kojom već desetljećima osvaja publiku. Sve vrijeme on fino balansira između nemoći i snage, izgubljenosti i usredotočenosti, a te bi mijene bile i naglašenije da ga rastrzana narativna nit svako malo ne minira. Ostali akteri uglavnom popunjavaju kvotu, i to lošim izvedbama. Inače pouzdani Marton Csokas u ključnoj epizodnoj ulozi prof. Wiedera nije se pretjerano namučio za odglumiti jednoobraznog promiskuitetnog znanstvenika. Karen Gillan alias Laura Baines nepodnošljivo je nametljiva u ulozi zavodnice s kampusa, a namrgođeni Harry Greenwood upravo iritantan kao wannabe romanopisac, umišljeni genijalac.

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image

Karen Gillian iritantna je kao femme fatale

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Tommy Flanagan kao Freemanov bivši kolega detektiv Jimmy zanatski nekako odolijeva izazovu, ali način na koji pomaže sudrugu u nevolji potkopava mu moć rasuđivanja.

Triler Adama Coopera trsi se što više nalikovati film noiru, no pokušaj ostaje u sferi neispunjenih očekivanja. Većina noirovskih elemenata je tu, od femme fatale preko buddy-buddy momenta do nepokolebljivosti oštroumnog istražitelja. Nađe se i ponešto stidljivih pokušaja stvaranja suspensea, ali sve je to zaludu u filmu kojem kronično nedostaje koherencije i smislenog djelovanja protagonista.

Umetnuta epizoda koja se tiče autorskih prava na znanstveni rad prof. Wiedera samo je još jedan prilog sveopćem smislenom rasulu. Ako je cilj bio u prenesenom značenju dočarati ubrzano djelovanje Alzheimerove bolesti na filmsku cjelinu, Cooperu se trud bez dvojbe isplatio. U protivnom, dobili smo žanrovski hibrid koji samo Croweov superiorni angažman održava u komadu, no pitanje je je li sve to vrijedno truda.

 

 

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Russell Crowe glumi bivšeg detektiva s Alzheimerovom bolešću

Tommy Flanagan kao Freemanov bivši kolega detektiv Jimmy zanatski nekako odolijeva izazovu, ali...

Karen Gillian iritantna je kao femme fatale
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ZabavaFILM TJEDNA

Ubojita sjećanja: Svaka čast Russellu Croweu, ali ovaj konfuzni triler je za brzi i ubojiti -zaborav

Piše Gabrijela Bijelić
29. travnja 2024. - 15:03
&lt;p&gt;Russell Crowe glumi bivšeg detektiva s Alzheimerovom bolešću&lt;/p&gt;
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Russell Crowe glumi bivšeg detektiva s Alzheimerovom bolešću

Podbuhnuto, zapušteno i beznadno poput skitnice djeluje Russell Crowe u trileru ‘Ubojita sjećanja‘ koji pokušava oživjeti posustali žanr krimića i misterije. Dvadesetak godina nakon planetarnog uspjeha povijesne drame ‘Gladijator‘ koja mu je donijela Oscara, novozelandski glumac prizemljio se u ulozi Roya Freemana, bivšeg detektiva, samotnjaka oboljelog od uznapredovalog Alzheimera.

image

Tommy Flanagan kao Freemanov bivši kolega detektiv Jimmy zanatski nekako odolijeva izazovu, ali...

Početna premisa je potentna, još i više jer se glavni lik kroz obnovljenu istragu starog slučaja ubojstva bori s bolešću i demonima prošlosti. A baš je prikaz junakove bitke s demencijom najtanji dio filma opterećenog čestim promjenama pripovjedne perspektive i smušenim flashbackova koji pokušavaju prikriti slabosti fabule. Za čovjeka kojemu zbog dijagnoze pamćenje postaje luksuz, Freeman se nadaje kao pravi majstor dedukcije.

Teško je povjerovati da bi netko tko na cedulji zapisuje vlastito ime i raspored prostorija u kući nekim čudom mogao proučiti na stotine stranica dosjea o davnom zločinu. Osim ako nije djelovala nadrealna metoda sondiranja mozga kojom se, protivno svakoj logici, operiranom sjećanja vraćaju u fragmentima baš u najpogodnijem mogućem trenutku. Film u hrvatskom prijevodu nazvan ‘Ubojita sjećanja‘, u originalu iz nejasnog razloga dijeli ime s popularnom videoigrom ‘Sleeping dogs‘, a osim Croweove superiorne glume ne nudi ništa što bi zavrijedilo dulje pamćenje.

Crowe možda više nije u zenitu slave, ali glumiti nije zaboravio, niti ga je napustila prirođena moć pojavnosti kojom već desetljećima osvaja publiku. Sve vrijeme on fino balansira između nemoći i snage, izgubljenosti i usredotočenosti, a te bi mijene bile i naglašenije da ga rastrzana narativna nit svako malo ne minira. Ostali akteri uglavnom popunjavaju kvotu, i to lošim izvedbama. Inače pouzdani Marton Csokas u ključnoj epizodnoj ulozi prof. Wiedera nije se pretjerano namučio za odglumiti jednoobraznog promiskuitetnog znanstvenika. Karen Gillan alias Laura Baines nepodnošljivo je nametljiva u ulozi zavodnice s kampusa, a namrgođeni Harry Greenwood upravo iritantan kao wannabe romanopisac, umišljeni genijalac.

image

Karen Gillian iritantna je kao femme fatale

Tommy Flanagan kao Freemanov bivši kolega detektiv Jimmy zanatski nekako odolijeva izazovu, ali način na koji pomaže sudrugu u nevolji potkopava mu moć rasuđivanja.

Triler Adama Coopera trsi se što više nalikovati film noiru, no pokušaj ostaje u sferi neispunjenih očekivanja. Većina noirovskih elemenata je tu, od femme fatale preko buddy-buddy momenta do nepokolebljivosti oštroumnog istražitelja. Nađe se i ponešto stidljivih pokušaja stvaranja suspensea, ali sve je to zaludu u filmu kojem kronično nedostaje koherencije i smislenog djelovanja protagonista.

Umetnuta epizoda koja se tiče autorskih prava na znanstveni rad prof. Wiedera samo je još jedan prilog sveopćem smislenom rasulu. Ako je cilj bio u prenesenom značenju dočarati ubrzano djelovanje Alzheimerove bolesti na filmsku cjelinu, Cooperu se trud bez dvojbe isplatio. U protivnom, dobili smo žanrovski hibrid koji samo Croweov superiorni angažman održava u komadu, no pitanje je je li sve to vrijedno truda.

 

 

#FILM TJEDNA#UBOJITA SJEĆANJA#KINEMATOGRAFI DUBROVNIK
11. svibanj 2024 03:41