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[title] => Zlatko Gall o Milanu Mladenoviću i zašto su ga na zub uzeli Karamarkovi higijeničari kulture
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Mi smo protiv imenovanja ulice Milana Mladenovića u Zagrebu jer njegova grupa EKV nije imala preveliku popularnost u Hrvatskoj, (... a...) članovi EKV-a imaju ovisničku prošlost pa bismo generacijama koje dolaze poslali lošu poruku”, kazala je predsjednica zagrebačkoga Kluba gradskih zastupnika HDZ-a i hrvatskoj javnosti poslala zastrašujuću poruku!
Na stranu što je teza o marginalnosti Mladena Mladenovića i nerelevantnosti EKV-a za hrvatsku scenu bedastoća prve vrste, već je i sam spomen ovisnosti i tragičnih sudbina članova “Ekatarine Velike”, kao “kriterija podobnosti” koji poništava svaki estetski sud, apsolutno skandalozan.
“Polemizirati” s “upućenom” HDZ-ovkom o značaju Mladenovića i EKV-a i za hrvatsku rock scenu i kulturu uopće, očito je jalov posao, no ipak vrijedi spomenuti neke neosporne fakte. Recimo one o EKV-u kao grupi koja je – baš kao i “Električni orgazam” i “Idoli” - u Zagrebu bila “doma”, u “Kulušiću” gotovo pa udomaćen kućni bend, a diljem Hrvatske prepoznata kao golemo nadahnuće. Riječki “Laufer” ili pak vinkovačka “Vatra” najbolji su dokaz tome.
Što se, pak, Mladena Mladenovića tiče, čak da je u cijeloj karijeri kao član trija “Šarlo akrobata” samo snimio onaj neponovljivi album “Bistriji ili tuplji čovek biva kad”, zaslužio bi ne samo zagrebačku ulicu i beogradski trg, nego i autocestu!
Kome smeta Mladenović? Zacijelo svima onima koji ga drže “negativnim simbolom” jedne građanske opcije, antiratnog akcijašenja iz vremena kad se zazivalo i tlo, i krv i nož, te čovjekom kojem su i vlastito genetsko hrvatstvo i beogradska adresa – što se i danas očito shvaća kao “izdaja” za obje strane! − značili manje od elementarne ljudskosti.
Spomen, pak, “narkomanske prošlosti” benda kao “alibija” za odbijenicu, ali i fakta koji poništava sve umjetničke i estetske vrijednosti, još je skandalozniji. Jer po istom bi se metru iz hrvatske kulture moglo nogirati “pijančinu” Tina Ujevića, ekscentričnoga “kurviša” Andriju Maurovića, sve slikare koji su se, poput Miroslava Kraljevića, vucarali pariškim bordelima, pjesnike samoubojice poput Željka Sabola i velikog Branka Miljkovića.
Također sve silne svjetske umjetnike i boheme sklone opijatima i “pijači”, samoubojice, osvjedočene “pedere” – od Michelangela i Leonarda naovamo – ili notorne preljubnike i erotomane. Tko bi nam preostao? Zacijelo samo književnik, odnosno Pavelićev ministar bogoštovlja i nastave, bogobojažljivi i ćudoredni dobričina Mile Budak.
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Mi smo protiv imenovanja ulice Milana Mladenovića u Zagrebu jer njegova grupa EKV nije imala preveliku popularnost u Hrvatskoj, (... a...) članovi EKV-a imaju ovisničku prošlost pa bismo generacijama koje dolaze poslali lošu poruku”, kazala je predsjednica zagrebačkoga Kluba gradskih zastupnika HDZ-a i hrvatskoj javnosti poslala zastrašujuću poruku!
Na stranu što je teza o marginalnosti Mladena Mladenovića i nerelevantnosti EKV-a za hrvatsku scenu bedastoća prve vrste, već je i sam spomen ovisnosti i tragičnih sudbina članova “Ekatarine Velike”, kao “kriterija podobnosti” koji poništava svaki estetski sud, apsolutno skandalozan.
“Polemizirati” s “upućenom” HDZ-ovkom o značaju Mladenovića i EKV-a i za hrvatsku rock scenu i kulturu uopće, očito je jalov posao, no ipak vrijedi spomenuti neke neosporne fakte. Recimo one o EKV-u kao grupi koja je – baš kao i “Električni orgazam” i “Idoli” - u Zagrebu bila “doma”, u “Kulušiću” gotovo pa udomaćen kućni bend, a diljem Hrvatske prepoznata kao golemo nadahnuće. Riječki “Laufer” ili pak vinkovačka “Vatra” najbolji su dokaz tome.
Što se, pak, Mladena Mladenovića tiče, čak da je u cijeloj karijeri kao član trija “Šarlo akrobata” samo snimio onaj neponovljivi album “Bistriji ili tuplji čovek biva kad”, zaslužio bi ne samo zagrebačku ulicu i beogradski trg, nego i autocestu!
Kome smeta Mladenović? Zacijelo svima onima koji ga drže “negativnim simbolom” jedne građanske opcije, antiratnog akcijašenja iz vremena kad se zazivalo i tlo, i krv i nož, te čovjekom kojem su i vlastito genetsko hrvatstvo i beogradska adresa – što se i danas očito shvaća kao “izdaja” za obje strane! − značili manje od elementarne ljudskosti.
Spomen, pak, “narkomanske prošlosti” benda kao “alibija” za odbijenicu, ali i fakta koji poništava sve umjetničke i estetske vrijednosti, još je skandalozniji. Jer po istom bi se metru iz hrvatske kulture moglo nogirati “pijančinu” Tina Ujevića, ekscentričnoga “kurviša” Andriju Maurovića, sve slikare koji su se, poput Miroslava Kraljevića, vucarali pariškim bordelima, pjesnike samoubojice poput Željka Sabola i velikog Branka Miljkovića.
Također sve silne svjetske umjetnike i boheme sklone opijatima i “pijači”, samoubojice, osvjedočene “pedere” – od Michelangela i Leonarda naovamo – ili notorne preljubnike i erotomane. Tko bi nam preostao? Zacijelo samo književnik, odnosno Pavelićev ministar bogoštovlja i nastave, bogobojažljivi i ćudoredni dobričina Mile Budak.
zlatko gall
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18. svibanj 2024 13:10
